SISTER GETS HER WAY

Sister Gets Her Way
A Review by Mel Mathews of

The Sister from Below:
When the Muse Gets Her Way

Who is this Sister from Below? She’s certainly not about the ordinary business of life: work, shopping, making dinner . . . She speaks from other realms. If you’ll allow, She’ll whisper in your ear, lead your thoughts astray, fill you with strange yearnings, get you hot and bothered, send you off on some wild goose chase of a daydream. She's a siren, a seductress, a shape-shifter . . . Why listen to such a troublemaker? Because She is essential to the creative process: She holds the keys to the doors of our imaginations and deeper life—the evolution of Soul.

The Sister emerges out of reverie, dream, a fleeting memory, a difficult emotion—she is the moment of inspiration—the muse. Naomi Ruth Lowinsky writes of nine manifestations in which the muse visits her, stirring up creative ferment, filling her with ghosts, mysteries, erotic teachings, the old religion—bringing forth her voice as a poet. Among these forms of the muse are the "Sister from Below," the inner poet who has spoken for the soul since language began. The muse also appears as the ghost of a grandmother Naomi never met, who died in the Shoah—a grandmother with ‘unfinished business.’ She visits in the form of Old Mother India, whose culture Naomi visited as a young woman. She cracks open her Western mind, flooding her with many gods and goddesses. She appears as Sappho, the great lyric poet of the ancient world, who engages her in a lovely midlife fantasy. She comes as "Die Ür Naomi," an old woman from the biblical story for which Naomi was named, who insists on telling Her version of the Book of Ruth. And in the end, surprisingly, the muse appears in the form of a man, a long dead poet whom Naomi loved in her youth.

The Sister from Below is a personal story, yet universal, of giving up a creative calling because of life’s obligations, and being called back to it in later life. This tasteful publication describes the intricate patterns of a rich inner life; it is a traveler’s memoir, with outer journeys to Italy, India and a Neolithic cave in Bulgaria, and inward journeys to biblical Canaan and Sappho's Greece; it is filled with mythic experience, a poet’s story told. The Sister conveys the lived experience of the creative life, a life in which active imagination—a technique of engaging with inner figures—is an essential practice.

I highly recommend The Sister From Below to all those who long to tap into their creative source and fulfill an unlived promise—those on a spiritual path, those who are filled with the urgency of poems that need to be written, paintings that have to be painted, stories that must be told . . .

You might also find of interest that Naomi Lowinsky has recently been awarded first prize in the Obama Millennium contest for her poem “Madelyn Dunham, Passing On” in which she imagines the spirit of of Obama’s deceased grandmother visiting him as he speaks to the crowds in Chicago after his election. The poem will be published in the literary magazine New Millennium Writings this fall. To learn more about Naomi Lowinsky and The Sister From Below visit www.sisterfrombelow.com

Mel Mathews' book reviews have appeared in many syndicated publications. He the author of the Malcolm Clay Trilogy. Learn more about this reviewer and his publications at: www.melmathews.com or www.malcolmclay.com

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